Femme fatale -The stunningly beautiful destructive figures
These female writer have changed the contradictory images of the sinful and morally corrupt Asian femme fatale. The writers' use of nightmarish female figures transforms the Australian images of the Asian woman. The use of these mythical figures allows them to take control of, and change, the customary misogynist and racist images that have defined the Asian women and also describe the history of Asia.
The images of femme fatales begin to appear in Australian literary texts in the 1920s and 1930s during a period which was known for conservative attitudes towards sexuality. The word femme fatale is derived from the French phrase which when translated in English means "deadly woman." A perfect example of a femme fatale is a woman who with her charms engages men into an overpowering desire for her which leads to dangerous inescapable situations for men.
These femme fatales are also described as seductress, vamp, sultry, demon, witch, black widow, and even heroine. The captivating and hypnotizing effect of the "femme fatale" is in her villainous attitude while acting vulnerable in nature, yet beautiful, tempting and virtually irresistible to the opposite sex.
In earlier Hollywood movies, the role of the "femme fatale" was fascinating to audiences because it in a way protested against the social conventions to which a woman was bound. Women in the role of a femme fatale; denied any Victorian era social roles in order to become contradictory to women of that age. As a femme fatale, she expressed her sexuality openly, tempting men to fulfill her desires, and who could choose to ultimately reject any type of real loving, cherished relationship.
The first role of this type was played by the gorgeous Theda Bera in the film "A Fool There Was" (1915). She played the role of a classic "vamp," seducing and entrapping men with dark coercion and tempting beauty to the point of their ruin. The famous dialogue "kiss me, you fool" spoke of beginning of the end for her chosen male prey.
The role for which Rita Hayworth, the famous actress won enthusiastic critical acclaim as a femme fatale was in the film "Gilda" (1946). She played the beautiful, hedonistic, auburn haired wife of a South American casino owner played by George Macready.
Such portrayal of beautiful women in the movies was loved by the audience. However, this portrayal would change into a more modern and independent femme fatale. Whichever form would it be the temptation would still remain irresistible. All of us love to hate these archetypal figures, and that is what makes the femme fatale typically wicked, beguilingly desirable, and stunningly beautiful.
The images of femme fatales begin to appear in Australian literary texts in the 1920s and 1930s during a period which was known for conservative attitudes towards sexuality. The word femme fatale is derived from the French phrase which when translated in English means "deadly woman." A perfect example of a femme fatale is a woman who with her charms engages men into an overpowering desire for her which leads to dangerous inescapable situations for men.
These femme fatales are also described as seductress, vamp, sultry, demon, witch, black widow, and even heroine. The captivating and hypnotizing effect of the "femme fatale" is in her villainous attitude while acting vulnerable in nature, yet beautiful, tempting and virtually irresistible to the opposite sex.
In earlier Hollywood movies, the role of the "femme fatale" was fascinating to audiences because it in a way protested against the social conventions to which a woman was bound. Women in the role of a femme fatale; denied any Victorian era social roles in order to become contradictory to women of that age. As a femme fatale, she expressed her sexuality openly, tempting men to fulfill her desires, and who could choose to ultimately reject any type of real loving, cherished relationship.
The first role of this type was played by the gorgeous Theda Bera in the film "A Fool There Was" (1915). She played the role of a classic "vamp," seducing and entrapping men with dark coercion and tempting beauty to the point of their ruin. The famous dialogue "kiss me, you fool" spoke of beginning of the end for her chosen male prey.
The role for which Rita Hayworth, the famous actress won enthusiastic critical acclaim as a femme fatale was in the film "Gilda" (1946). She played the beautiful, hedonistic, auburn haired wife of a South American casino owner played by George Macready.
Such portrayal of beautiful women in the movies was loved by the audience. However, this portrayal would change into a more modern and independent femme fatale. Whichever form would it be the temptation would still remain irresistible. All of us love to hate these archetypal figures, and that is what makes the femme fatale typically wicked, beguilingly desirable, and stunningly beautiful.
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