Investing In Gold - Musical Gold
Investing in gold is more than a current fad when it comes to a solid way of growing your money.
After all, it is not called the "Gold Standard" for nothing.
Where the music industry is concerned, the gold standard is copyrights.
Quality copyrights are as good as investing in gold.
World famous and eternally familiar copyrights are known as "standards" in the entertainment business.
Owners of these copyrights are the music publishers.
These publishers vary in size from the mighty Japanese owned Sony/ATV/Tree Music, to mid-sized Still Workin' Music (owned by Barbara Orbison, widow of Roy Orbison), to the bare-bones approach of Ann Wilson Music Group (one employee and hits on Brad Paisley and major Christian artists).
Perhaps the most appealing aspect of investing in copyrights is the diversity of revenues (radio airplay, tv & film uses, live venue performances, video games and advertisement uses), which can be viewed collectively as "musical mutual funds.
" When adding the minimized risk to stable cash flows against inflation that music publishing rights offers, copyright ownership is a viable investment alternative.
Investing in publishing can be more profitable than investing in gold, and much more enjoyable.
There is room in the market for boutique to mid-sized publishing companies to begin business and carve out profitable shares.
Major publishers Sony/ATV/Tree, Universal, EMI, Warner-Chappell and the re-emerging BMG Rights Management are the dominant players, with several mid-sized companies looking to grow by buying smaller catalogs.
Most recently, Chrysalis purchased S1 Songs and was subsequently absorbed by BMG.
This natural cycle has created space for startup companies.
This cycle also points to the future, allowing that a quality catalog will be a desirable commodity for years to come.
While publishing is the consummate "behind the scenes" player in an otherwise sexy entertainment business, performance income (earned primarily from radio airplay) is up.
Hit singles over the last 2 years have paid north of $600,000 for the publisher's share.
When viewed as a terminal asset, even small publishers with viable hits can fetch a few million dollars from bigger companies.
Even most seasoned investors don't understand how this part of the entertainment industry works and how investing in copyrights (songs) can not only be profitable, but consistently profitable.
Truly like investing in gold.
As with any business, when it comes to investing, the crucial decision lies in picking the right partners or agents.
With corporate downsizing, consolidation and smaller companies selling to bigger ones, there are several talented and savvy music business veterans available to guide new ventures.
If you are interested in investing in gold..
...
investing in musical gold..
...
contact Dan Truman at dantruman@gmail.
com
After all, it is not called the "Gold Standard" for nothing.
Where the music industry is concerned, the gold standard is copyrights.
Quality copyrights are as good as investing in gold.
World famous and eternally familiar copyrights are known as "standards" in the entertainment business.
Owners of these copyrights are the music publishers.
These publishers vary in size from the mighty Japanese owned Sony/ATV/Tree Music, to mid-sized Still Workin' Music (owned by Barbara Orbison, widow of Roy Orbison), to the bare-bones approach of Ann Wilson Music Group (one employee and hits on Brad Paisley and major Christian artists).
Perhaps the most appealing aspect of investing in copyrights is the diversity of revenues (radio airplay, tv & film uses, live venue performances, video games and advertisement uses), which can be viewed collectively as "musical mutual funds.
" When adding the minimized risk to stable cash flows against inflation that music publishing rights offers, copyright ownership is a viable investment alternative.
Investing in publishing can be more profitable than investing in gold, and much more enjoyable.
There is room in the market for boutique to mid-sized publishing companies to begin business and carve out profitable shares.
Major publishers Sony/ATV/Tree, Universal, EMI, Warner-Chappell and the re-emerging BMG Rights Management are the dominant players, with several mid-sized companies looking to grow by buying smaller catalogs.
Most recently, Chrysalis purchased S1 Songs and was subsequently absorbed by BMG.
This natural cycle has created space for startup companies.
This cycle also points to the future, allowing that a quality catalog will be a desirable commodity for years to come.
While publishing is the consummate "behind the scenes" player in an otherwise sexy entertainment business, performance income (earned primarily from radio airplay) is up.
Hit singles over the last 2 years have paid north of $600,000 for the publisher's share.
When viewed as a terminal asset, even small publishers with viable hits can fetch a few million dollars from bigger companies.
Even most seasoned investors don't understand how this part of the entertainment industry works and how investing in copyrights (songs) can not only be profitable, but consistently profitable.
Truly like investing in gold.
As with any business, when it comes to investing, the crucial decision lies in picking the right partners or agents.
With corporate downsizing, consolidation and smaller companies selling to bigger ones, there are several talented and savvy music business veterans available to guide new ventures.
If you are interested in investing in gold..
...
investing in musical gold..
...
contact Dan Truman at dantruman@gmail.
com
Source...